Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date;
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature’s changing course untrimm'd;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st;
Nor shall death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st:
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.
The 154 sonnets are conventionally divided between the “young man” sonnets (1-126) and the “dark lady” sonnets (127-152), with the final pair often seen as an envoy or coda to the collection.
There is no evidence that such a division has chronological implications, though the volume is usually read in such a way. Shakespeare employs the conventional English sonnet form: three quatrains capped with a couplet.
The 154 sonnets are conventionally divided between the “young man” sonnets (1-126) and the “dark lady” sonnets (127-152), with the final pair often seen as an envoy or coda to the collection.
There is no evidence that such a division has chronological implications, though the volume is usually read in such a way. Shakespeare employs the conventional English sonnet form: three quatrains capped with a couplet.
